Shillong, April 02 : The third edition of the ASEAN-India Artists’ Camp is currently underway in the picturesque town of Shillong, bringing together a distinguished gathering of figures from both India and ASEAN nations. The event has drawn the participation of notable personalities, including Mr. Pabitra Margherita, Hon’ble Minister of State for External Affairs of India, along with the Secretary (East) and senior officials from the Ministry of External Affairs. Heads of Missions from ASEAN countries, as well as esteemed guests from the ASEAN Missions in India, are also in attendance.
Shillong, renowned for its rich cultural heritage, serves as the perfect backdrop for this vibrant artistic exchange. With its blend of colonial-era architecture and traditional Khasi influences, the town offers an inspiring environment for artists seeking both serenity and stimulation from the local culture and landscapes. The serene, yet dynamic atmosphere of Shillong makes it an ideal destination for the ASEAN-India Artists’ Camp 2025, where art and culture converge to inspire creativity and collaboration.
The event is organized by SEHER, an organization dedicated to ensuring a memorable and enriching experience for all participants. A highlight of the camp is the presence of renowned film personality Deepti Naval, who graced the occasion as a guest artist. In addition, three mentors have been appointed to guide the participants in exploring the spiritual and humanitarian themes within the Ramayana, aiming to portray these aspects without the influence of any religious interpretations.
A total of 34 artists are participating in the event, including 11 artists from ASEAN nations such as Singapore, Thailand, Timor-Leste, Malaysia, Indonesia, Vietnam, Brunei Darussalam, Cambodia, and the Philippines. The remaining participants are Indian artists from various regions, with North East India well-represented by Raphael Warjri from Riti Academy in Meghalaya and Chandan Bez Barua, a faculty member at the Assam Government Art College.
The theme of the camp revolves around the Ramayana, with each artist offering their unique, creative interpretation. Chandan Bez Barua, for example, has drawn inspiration from the Ramayana as interpreted by the Karbi people of Assam, while Raphael Warjri has explored the concept of royal motherhood through the figure of Pahsyntiew, comparing her to Sita. Warjri’s work also delves into the metaphors and parallels between Khasi folklore and the Ramayana. Artists from other ASEAN countries, familiar with the Indian epic, have similarly presented their own distinct artistic renditions, each offering a fresh perspective shaped by their cultural backgrounds.
The ASEAN-India Artists’ Camp 2025, which runs from March 29 to April 7, will culminate with an exhibition of the artists’ works on the final day. This event not only highlights the creativity and innovation of the participating artists but also underscores the power of art to foster cultural exchange, understanding, and collaboration across borders.
